In our kind of country where only bad news hit the headlines, it is sometimes difficult for columnists, particularly those who maintain weekly columns, to find something to write on because you would just seem to be repeating yourself. Ordinarily, one would have been forced to write on the allegation of the stunning foreign currency that Patience Jonathan, wife of the immediate past President of the Federal Republic of Nigeria, Goodluck Jonathan, PhD! claimed is hers. And, pronto, her husband’s Ijaw youths have come to her defence, saying the money represented gifts to the former first lady.
If I did not find this interesting enough, the other option is to say something on the proposed sale of some national assets by the President Muhammadu Buhari administration. As a Yoruba man, I find this difficult to comment on, even if it is the government’s last resort, given the dire economic situation the country is in, no thanks to corruption, particularly in the Jonathan years. We have a name for such a thing in the south western part of the country which I would not want to mention so that people would not say it is the government I am referring to. Those who know me well know that if I wanted to call the present government that name, I would have said so without fear or favour. But I can understand its predicament.
I was just flipping through this paper on Friday in search of what to write on that would be somewhat different from what I have been writing in the last few months when I saw the advert by Asiwaju Bola Ahmed Tinubu and his wife, Senator Oluremi Tinubu, congratulating King Sunny Ade on the occasion of his 70th birthday. There are musicians and there are musicians: Sunny Ade is unarguably one of the greatest music legends of our time.
Sunny Adé was born Sunday Adeniyi to a Nigerian royal family in Ondo, Ondo State, on September 22, 1946, to a father who was a church organist; his mother was a trader. He left grammar school in Ondo under the pretext of going to the University of Lagos but instead began a musical career with Moses Olaiya’s Federal Rhythm Dandies, a highlife band. He formed The Green Spots in 1967; changed its name several times, first to African Beats and then to Golden Mercury.
When the matter was music, particularly the Juju genre in the 1970s and 1980s and even the 1990s in Nigeria, you either mentioned Sunny Ade or Chief Commander Ebenezer Obey. There were a few fringe Juju musicians then, no doubt; but none of them was able to maintain the long grip that the duo had on Juju music fans at home and beyond. Obey had albums like Ketekete, Ki iseru akata, ‘Operation feed the nation’; to name a few to his credit. Then Sunny Ade: Oro to nlo; Sunny ti de; Synchro System; Ja fun mi; Nibi Lekeleke Gbe Nfosho; Mo beru agba; Ma jaiye oni; 365 is my number; Kira kita kira kita; Mo ti mo; Sunny lo ni ariya; Ma a jo; Won lomode o mela; Orisun Iye, Merciful God; Eri Okan. Others are ‘My Mother’; Alase la’iye; Suku Suku Bam Bam; ‘Appreciation’, among Sunny Ade’s numerous albums.
Even Sunny Ade’s rivals would readily agree that these were albums to reckon with. They could not have been nothing but the product of hard work. It was this hard work and the innovations that he brought into Juju music that extended his fame beyond our shores, to America and Europe, particularly in the 1970s and 1980s. His Synchro System was so fascinating and irresistible that it earned him his first Grammy Award nomination in the folk/ethnic music category. Sunny Ade is the first African to be nominated twice for the prestigious Grammy Award, the second in 1988, when he released Odu, a collection of traditional Yoruba songs.
It is not for nothing that Wikipedia describes the Juju maestro as “…a pioneer of modern world music adding that “he has been classed as one of the most influential musicians of all time” The New York Times describes him as “one of the world’s great band leaders”. To Record, Sunny Ade is “a breath of fresh air, a positive vibration we will feel for some time to come” while Trouser Press sees him as “one of the most captivating and important musical artists anywhere in the world”.
Sunny Ade is all these and more.
I was at the Federal School of Arts and Science, Ondo, for my Higher School Certificate programme for two years, and that afforded me the opportunity of interacting at close range with Ondo people, Sunny Ade’s kith and kin. There is no doubt that he is well loved by his people. To him therefore, Jesus Christ’ allusion of “a prophet is not without honor except in his own town, among his relatives and in his own home,” does not apply. During my two-year stay in the town, I had cause to attend a few social parties. The youths, particularly the ladies then could not hide their admiration for their own as they politely told you at the parties when you asked them to dance with you: “broda, me joo yi, Sunny mo fe joi” (brother, I am not interested in this music; I prefer Sunny Ade). I am sorry if I adulterated the Ondo dialect; it’s been quite some time, but I guess the message is clear, which is the most important thing.
The dance floor would be half empty when people were dancing to the ‘gbam-gbam dim-dim’ (disco) music. But the wise disc jockeys (DJ) knew what the problem was and immediately they switched over to King Sunny Ade’s music, the dance floor would be full again, with the ladies this time being the ones to tell you: ‘Excuse me dance’. And they could be on the dance floor for hours, retiring to their seats only when Sunny Ade’s music was replaced with something else that they could not comprehend. But, as I said earlier, even the uninitiated DJ knew that should only be an interlude; it should not last long if he wanted the party to be the talk of the town for some time.
You cannot blame them. The man, Sunny Ade, is simply great; fantastic. I have been following him since the mid-seventies and he remains my best musician of all times. As a matter of fact, for me, Sunny Ade and Chief Commander Ebenezer Obey remain the Juju musicians to beat. While Sunny Ade was noted more for his mastery of the guitar (little wonder some call him the master guitarist; he calls himself anjonu oni jita (the guitar wizard) and rightly so. Sunny Ade’s dexterity on the guitar is unmatchable. The white man may have invented the guitar; it was as if he invented it for Sunny Ade who did and is still doing wonders that even the white man cannot do with it. Obey’s strength is more in the philosophical message of his music. My friends, John Adeolu Akanbi and Gabriel Dare Ekundina and I were so fanatical about these great men of all times back then that we followed their albums as they were released. We did not joke with them as we bought their collections and could tell you serially which album followed which.
But life was fun then. Even as secondary school students, I know the pleasant moments we had. As a matter of fact, when I see the kind of hardship many students, including those in the universities and other higher institutions are going through today, I feel sorry for them. Yes, things were hard then; but compared with what today’s youths are going through, we were in paradise. That paradise is now lost, apologies to John Milton, and no thanks to purposeless rulers who have continually pauperised Nigerians that God has blessed with a country flowing with milk and honey.
But it is important to stress that whatever pleasure we had then did not distract us from our studies. We were guided by the maxim that ‘all work and no play makes Jack a dull boy’. I mean as hardworking students, we were also entitled to a little social life, a guided one that is. Perhaps that was also a function of some of the messages we picked from the reigning Juju musicians then, I mean Sunny Ade and Obey. You can’t compare these with the ‘junk’ that many of today’s youths gobble as music. Apart from the fact that most of today’s musicians carry no discernible message; whenever they attempt to, they pollute the air That is why they come and disappear like some passing dreams.
Sunny had collaborated with major artistes such as Manu Dibango (Wakafrika), Stevie Wonder (played harmonica in Aura), as well as younger Nigerian artists like Wasiu Alabi Pasuma and Bola Abimbola and even the songstress, Onyeka Onwenu. Needless to say that Sunny Adé is also a household name in the country, running multiple companies in several industries. He established a non-profit organisation called the King Sunny Adé Foundation, and is also working with the Musical Copyright Society of Nigeria.
Sunny Adé, now known as ‘The Chairman’ in his home country, was appointed a visiting professor of music at Obafemi Awolowo University Ile-Ife ; he was also inducted into the Afropop Hall of Fame, at the Brooklyn African Festival in the United States. He dedicated the award to the late Michael Jackson.
Please join me in wishing this great man who has been an inspiration to many other upcoming musicians in the country a happy birthday on behalf of millions of his other fans. His coming to the world on September 22, 1946 was not a mistake.
Egin, igba odun kan, odun kan i.